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Chatha Pacha Title Track Drops As Shankar-Ehsaan-Loy Make a Striking Malayalam Debut_我的网站

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A |     

本报记者 李万祥近日,“剩菜剩饭直接喂猪违法”登上热搜,并称“泔水喂猪”正式入法禁止,养殖场(含散养户)剩菜剩饭直接喂猪违法,违规可处10万元以下罚款,情节严重的最高罚款百万元。

B | 这一说法是否属实?用剩菜剩饭直接喂猪真的违法吗?法律究竟是如何规定的?记者采访了有关专家。    The first musical glimpse of Chatha Pacha - The Ring of Rowdies has arrived, and it wastes no time announcing the film’s attitude. Reel World Entertainment has unveiled the lyric video of the title track, a number that leans heavily into rhythm, street energy, and a sense of playful bravado. More than just a promotional beat, the song marks a notable moment for Malayalam cinema as it introduces the celebrated composer trio Shankar-Ehsaan-Loy to the language for the first time.Music has been positioned as a key pillar of Chatha Pacha from the outset, and the title track underlines that intent clearly. Rather than playing it safe, the film opens its musical journey with a song that feels rooted in place and personality. The soundscape is earthy and infectious, echoing the bustle and swagger of Kochi’s streets while maintaining the polish expected from a high profile pan Indian production.     A landmark crossover for Malayalam cinema     The arrival of Shankar-Ehsaan-Loy into the Malayalam film space is the kind of crossover that naturally draws attention. For decades, the trio has shaped the musical memory of Hindi cinema with songs that balance melody, scale, and experimentation. Their decision to step into Malayalam cinema with Chatha Pacha feels both timely and deliberate, aligning with the industry’s growing confidence and national footprint.The composers have spoken about their excitement in working with the language, describing Malayalam as rich and musical in itself. That enthusiasm is audible in the title track, which blends multiple influences without losing its local flavour. The composition does not feel like an outsider’s take on Kerala culture. Instead, it embraces the rhythms and cadences of the setting, allowing the language and slang to drive the mood.                                         Vocally, the song brings together Shankar Mahadevan, Siddharth Mahadevan, and Fejo, creating a dynamic mix of voices. Shankar’s unmistakable energy anchors the track, while Siddharth adds a contemporary edge familiar to audiences across industries. Fejo’s presence grounds the song firmly in Kerala’s pop culture landscape, especially given the impact of his breakout hit Aayiram Aura, which reshaped the visibility of Malayalam rap and hip hop.     Street slang, star power, and rising buzz     A major reason the title track lands with such confidence is its lyrical backbone. Written by Vinayak Sasikumar, the lyrics unapologetically tap into Kochi’s street slang and everyday rhythm. The words feel lived in rather than stylised for effect, giving the song an immediacy that invites listeners to sing along rather than simply consume it. This choice aligns well with the film’s tone, which appears to celebrate raw energy and youthful chaos within a larger cinematic frame.Chatha Pacha is directed by debut filmmaker Adhvaith Nayar and backed by creative producer Shihan Shoukath, along with producers Ritesh and Ramesh S Ramakrishnan and Shoukath Ali. While the film is still some distance away from release, it has already built curiosity through its teaser and character reveals. The arrival of the first song sharpens that anticipation, offering audiences a clearer sense of the film’s world and energy.                                                                 View this post on Instagram          A post shared by Chatha Pacha: The Ring of Rowdies (@chathapachathefilm)                         With distribution support from Dharma Productions, Mythri Movie Makers, Wayfarer Films, PVR INOX, and The Plot Pictures, the film is clearly being positioned for a wide and ambitious release. As the title track begins to find its way into playlists and social media reels, it sets a confident tone for what lies ahead.Scheduled for a theatrical release in January 2026, Chatha Pacha - The Ring of Rowdies now has its musical flag firmly planted. If the title track is any indication, the film is gearing up to enter the ring with noise, confidence, and a sound that refuses to be ignored.Also Read: Chatha Pacha Steps Into The Spotlight With a Knockout Teaser。

C | “关于剩菜剩饭直接喂猪是否违法的问题,不能一概而论。”中国政法大学教授、国家生态环境保护专家委员会委员王灿发接受记者采访时表示,如果是用家庭的剩菜剩饭饲喂自己家里养的几头猪,而不是专门养猪场的猪,这是不违法的;如果是畜禽养殖场对厨余垃圾不经无害化处理,直接饲喂所养的猪鸡鸭鹅等畜禽,就是违法的。

D | 生态环境法典对此有明确规定,主要体现在第514条,具体包括三款规定。

E | 王灿发分析,该条第一款授权“县级以上地方人民政府环境卫生主管部门负责组织开展厨余垃圾资源化、无害化处理工作”,也就是说厨余垃圾的资源化、无害化处理工作由环卫部门负责,而不是由生态环境主管部门负责。

F | 第二款要求“产生、收集厨余垃圾的单位和其他生产经营者,应当将厨余垃圾交由具备相应资质条件的单位进行无害化处理”,其中所说的“单位和其他生产经营者”包括学校、机关、企业等的食堂,从事餐饮服务的宾馆、饭店、个体工商户等,而不包括家庭个人餐厨垃圾的产生和收集,即不包括家庭“剩菜剩饭”。即使是个人,也必须是从事生产经营者。第三款是禁止性条款,即“禁止畜禽养殖场利用未经无害化处理的厨余垃圾饲喂畜禽”,也就是说,畜禽养殖场是不能随便将厨余垃圾饲喂畜禽的。只有经过无害化处理的厨余垃圾,才能饲喂畜禽。“法典没有禁止家庭个人将剩菜剩饭直接饲喂家庭自己养殖的少量畜禽,比如,农村家庭将家里的剩菜剩饭饲喂自己家养的猪狗鸡鸭,是不在禁止之列的。而且根据法典规定,利用未经无害化处理的厨余垃圾饲喂畜禽也不在禁止之列。”王灿发说。在处罚方面,生态环境法典第1174条规定对“产生、收集厨余垃圾的单位和其他生产经营者未将厨余垃圾交由具备相应资质条件的单位进行无害化处理”的,处十万元以上一百万元以下的罚款;对个人的这类违法行为处一百元以上五百元以下的罚款。同时,法典第1231条规定,对“畜禽养殖场利用未经无害化处理的厨余垃圾饲喂畜禽”的,由生态环境主管部门、环境卫生主管部门按照职责分工责令改正,可以处十万元以下的罚款;情节严重的,报经有批准权的人民政府批准,责令停业、关闭。

G | 违法行为是否一律处罚?“根据生态环境法典第1231条规定,如果投喂的泔水未经无害化处理,则可能受到相应处罚。”中国社会科学院法学研究所生态法研究室助理研究员林潇潇说,但需要注意的是,第一,在一般情形下,本条的“强制性”责任是责令整改,罚款是执法机关“可以”采取的处罚形式,这意味着执法机关应在必要而非所有情况下进行罚款处罚;第二,根据法典第1056条规定,“违法行为轻微并及时改正,没有造成危害后果的,不予处罚”,因此,罚款并非必然结果。林潇潇告诉记者,禁止泔水等未经处理的厨余养殖,立法初衷是保障公共卫生安全和食品安全。国务院办公厅于2018年印发关于进一步做好非洲猪瘟防控工作的通知,明确要求“严防餐厨废弃物直接流入养殖环节”。2020年固体废物污染环境防治法的修改反映了该项要求,而相关条款也最终被纳入生态环境法典,并实现了相应的优化调整。对于广大养殖户或相关经营主体而言,应正确认识生态环境法典相关条款的意义和必要性,自觉遵守法律。

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